As you might have already guessed, Isobel Irons is a pen name.
In real life, I am (among many things) an indie film director and TV producer with a deep–some might even say obsessive–appreciation for onscreen storytelling and a lifelong book habit that I just can’t seem to kick.
In film, there’s nothing I like better than a JJ Abrams “show, not tell” character reveal, or a Joss Whedonbanter session. Or an Erik Kripke-level “bromance.” And of course, I’m a die-hard fan of the will they / won’t they trope, where the fans start shipping two characters agonizingly long before they share their first kiss.
In my novels, I use my visual storytelling skills to show the reader an entire menagerie of hidden worlds. When it comes to imagination, there is no production value and no budget. But if there was, I would spend it all and then some. To me, my characters are real people, who just happen to live in my mind. Before I write, I scout locations to set the scene, I hold exhaustive casting sessions to find the perfect quirks that will ignite the maximum amount of conflict. Then, I throw in some tricky, but believable situations that allow my characters to expose themselves–sometimes in a figurative, emotional sense, other times quite literally. Rawr.
Finally, I sit back and let the story unfold. If it sucks, I cut it. I tell my characters to reset and do it again, but this time give me MORE. Show me MORE. Make me laugh or cry or want to hit something MORE. And then, when I realize I’ve re-read through the entire thing in one sitting and–Holy shit, is it really that late, and Oh my God I am SO hungry! Have I even eaten today? That’s when I know it’s ready to be unleashed into the world.
Vivid characters. Vibrant settings. Relatable problems. Together, these elements combine to form the Ultimate Literary Crack. Or, as I like to call it, “Promoting Literacy through Shameless Addiction.”
Join me in Shameless Lit & Film Addiction here:
Flirting With Fire by Kyra Jacobs
